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翻訳と辞書　辞書検索 [ 開発暫定版 ] スポンサード リンク Pomone (opera) ： ウィキペディア英語版 Pomone (opera) ''Pomone'' (''Pomona'') is a pastoral opera in a prologue and five acts by Robert Cambert with a libretto by Pierre Perrin. It has been described as "effectively the first French opera."〔Sadler 2001, p.180. Bashford 1992, p. 697: "Considered by modern scholars to be the first true French opera..."〕 It was first performed in Paris at the Jeu de Paume de la Bouteille theatre belonging to Cambert and Perrin's Académie d'Opéra on 3 March 1671. The production had ballets choreographed by Des Brosses〔Powell 1995, p. 179; Guest 2006, p. 7. The dances for ''Pomone'' have generally been attributed to Pierre Beauchamps, based on the 'Receuil de Tralage' (ca. 1697; MS 6544, Bibliothèque de l'Arsenal, Paris), but an unnumbered manuscript in the archives of the Comédie-Française, discovered by John S. Powell, states that Beauchamps did not join the production until two months before the end of the run, and that Des Brosses had created all the dances before he relinquished his position. Apparently Des Brosses left Perrin's Académie in order to work on Jean Donneau de Visé's musical machine-play ''Le Mariage de Bacchus et d'Ariane'', performed at the Théâtre du Marais in the winter of 1671–1672.〕 and sets and machinery designed by Alexandre de Rieux, marquis de Sourdéac.〔Jean-Claude Brenac.〕 The novelty of the work drew large audiences and the opera enjoyed 146 performances over the eight months of its run.〔Johnson 2008, pp. 100–102.〕 The score of ''Pomone'' has only partially survived.〔 ==Background and performance history== Attempts had been made to introduce Italian opera to France in the mid-17th century but French audiences had disliked the genre, preferring their own form of stage music drama, the ''ballet de cour'', a ballet containing sung elements. Nevertheless, some French composers began to experiment with developing opera which would better suit national tastes. On 28 June 1669, King Louis XIV had granted Perrin and his Académie d'Opéra the monopoly on performing operas on the Parisian stage. ''Pomone'' was the first production by the Académie.〔Carter 1994, pp. 33–36.〕 It contained many of the features audience were used to in the ''ballet de cour'': dance, spectacular stage effects and rich costumes. The innovations were the replacement of spoken dialogue by recitative and the use of more complicated vocal ensembles. The pastoral theme of the work was not new, for instance Cambert had already composed music for a stage work called the ''Pastorale d'Issy'' in 1659.〔Johnson 2008, p.102.〕 In spite of ''Pomones success, Perrin soon ran into financial difficulties. The Académie staged another opera with music by Cambert, ''Les peines et les plaisirs de l'Amour'', in early 1672, but the king then revoked Perrin's monopoly on opera production and transferred it to his favourite composer, Jean-Baptiste Lully, who would have more success in establishing a lasting French operatic tradition.〔Carter 1994, pp. 35–36.〕 Cambert moved to London with his pupil Louis Grabu, where he staged a version of ''Pomone'' with additional music by Grabu.〔 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Pomone (opera)」の詳細全文を読む スポンサード リンク 翻訳と辞書 : 翻訳のためのインターネットリソース Copyright(C) kotoba.ne.jp 1997-2016. All Rights Reserved.